The Penumbra of Neorealism
Identifieur interne : 000186 ( Main/Exploration ); précédent : 000185; suivant : 000187The Penumbra of Neorealism
Auteurs : Roger Hillman [Australie]Source :
- Forum for Modern Language Studies [ 0015-8518 ] ; 2002-04.
English descriptors
- Teeft :
- Anna magnani, Aperta, Athos, Bernardo bertolucci, Bertolucci, Cinema, Citta, Clelia, Crisp hillman, Cultural memory, Fabrizio, Fascism, Fascist, Gure, Hillm, Italian cinema, Italian fascism, Italian life, Italian nation, Last sunset, Mussolini, Narrative logic, Nazi germany, Neorealism, Other hand, Postwar italian cinema, Ragno, Reference point, Rigoletto, Roger hillm, Roma, Roma citta aperta, Same time, Somnambulation music, Strategia, Strong presence, Verdi, Verdi functions, Verdi myth, Verdi reception, World history.
Abstract
Melodrama and politics converged in Neorealism, and via melodrama the influence of the movement extended far beyond debates about a more documentary brand of cinematic realism. A comparable convergence held for opera, and in particular for Verdi, a flexible icon of identity politics, whose direct application to the actuality of postwar Italian history was contested by Bertolucci, for one. This article explores Neorealism and opera as identity issues in postwar Italian Cinema, tracing stages of their interrelationship from Roma città aperta via Bertolucci through to La notte di San Lorenzo.
Url:
DOI: 10.1093/fmls/38.2.221
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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